The stepping stones, Tollymore Forest Park, by Roberta McNeilly.
Michael Dunlop Armoy 2019 - David Sleith
Still on the Farm, by John Lewis
Donkey Love, Roberta McNeilly
Burano Island, Venice, by John Lewis
Tall Ship in Venice, By David Sleith
Gondolas in Venice - David Sleith
David, Personal Project by John Lewis
Gary Dunlop UGP 2019 - David Sleith
Mussenden Temple at sun set, by John Lewis
Barn Owl Hunting, by Jim Crozier
Ignatius, Personal Project by John Lewis
Red Squirrel Feeding, by Jim Crozier
William Dunlop NW200 2018 - David Sleith - 20x16
Dean, Personal Project by John Lewis
Dive Dive Dive - Male Kingfisher in the Scottish Borders, by David Cassells
Heilan Coo, by Gillian Wilson
Watching, by Tim Ryan
Osprey with Catch, by Jim Crozier
Tree Rihanna, by Hugo Dale
Rihanna was going to use during the making of a music video. The land owner asked her to leave as she took off more clothing than he appreciated. It is a beautiful autumn scene that will make a great conversation piece where ever it finds a home.
Framing: The photo is mounted on 5 mm foam core board backing to ensure that it will never wrinkle or ripple. The frame was make in my workshop (hpps://beavertooth.co.uk). The frame is handpicked solid Black Walnut and has Maple splines in the mitres to give a nice contrast as well as exceptional strength. I felt the extra cost was worth it
Ruth in Stetson – Low Key Portrait Series, by David Cassells
Teamwork, by Tim Ryan
Look at Me, by Tim Ryan
Canoe Artwork, by Keith Roper
Ruth in Stetson – Low Key Portrait Series, by David Cassells
Damselflies around Loughbrickland, by Helen Wilson
Sisters – Low Key Portrait SeriesSisters – Low Key Portrait Series, by David Cassells
White Flowers, by Philip Wright
Loughgall in the snow, by Helen Wilson
The hands of Time, by Lorraine Lewis
Gilford Mill, by Helen Wilson
Collage Impressions, by Keith Roper
Stretch - Female Mallard on the River Lagan, by David Cassells
Sparks of the past, by Hugo Dale
In a world of fast changing technology, this photo is an opportunity to step back in time to appreciate technology of a bygone age. “Sparks of the past” is the firing action of a flintlock smooth bore black powder musket. The sparks are caused by the flint hitting the steel; this would have ignited the black powder and fired the gun. No black powder was present in this photo in order to capture the sparks themselves. This type of firearm was state of the art at the start of the 18th century. It was used by the British to trade with the early North American fur traders and indigenous people of the continent. The flintlock was worth about 12-15 beaver pelts, which was in huge demand in Britain as it had a very unique soft fur used in gentlemen’s hats, and clothing.
Moneypenny Lochkeepers Cottage, by Helen Wilson
Evening Lights on the Tyne, by Keith Roper
Gate to Home, by Hugo Dale
Home to a diverse range of flora and fauna and a family of Exmoor ponies. My Patterdale terrier (Nell) and I often enjoy walking in this peaceful, quiet location early in the morning. This photo was taken during the rising sun in September; note how the east rising sun lights up the gate and fence. I named this picture “Gate to Home,” because the gate signals the last leg of our walk and Nell and I are heading home.Framing: The photo is mounted on 5 mm foam core board backing to ensure that it will never wrinkle or ripple. The frame was made in my workshop (hpps://beavertooth.co.uk). The frame is handpicked solid Black Walnut and has Maple splines in the mitres to give a nice contrast as well as exceptional strength. I felt the extra cost was worth it.
Sarah in Stetson – Low Key Portrait Series, by David Cassells
Light Painting, by Philip Wright
Grab and Go, by Tim Ryan
The Face, by Tim Ryan
Grizzly Bear. Revelstoke Mountain. BC. Canada., by Jim Crozier
Ramelton Harbour, by Philip Wright
Approaching Storm, by Tim Ryan
Painting with Light, by Hugo Dale
Autumn Gold, by Tim Ryan